The to tell aversion to gossip in the film, in its extreme form of the test, no dialogue, leads to the appreciation of the few words that are then told that. Especially in situations that would fill in everyday language with all sorts of semi-finished and trivial, the few sentences are reclaimed from the silence of weighty marble slabs. The stylization seems inevitably to lead to the opposite of ease. Perhaps, but simply underestimated just what it means to write good dialogue.
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